I was aghast to discover that I had missed a Philip K. Dick novel the other day. I had shared an image on Facebook that discussed the dangers of pissing off a redhead (or ginger. This image.) something I do every day with the Wife, especially when I point out that her temper proves she is a ginger. That woman can punch hard when she thinks she’s being insulted. However, I’ve seen the carpet a few times in our thirty years of marriage. She’s a ginger. The sun lightens the hair on her head, as it does for most strawberry blondes. But the long-running argument between Red and I wasn’t the subject I wanted to discuss here. Missing from the image was one of my favorite examples of redheads that you really don’t want to piss off, and that is the potentially causality destroying character from the movie Prince of Darkness.
…and she was pretty pissed at the end of that film. With good reason. So anyway, another friend and fan of the ginger set said that the clip reminded him of the novel Ubik by Philip K. Dick. Having never read the book I felt I had to remedy my lack of knowledge and went directly to Amazon.com to see if the book was available on Audible. Then I could read the book and find out what it was that he thought was similar between the book and the movie.
Ever since I started getting vertigo I’ve had a problem with the repetitive back and forth motion of the eyes while reading making me tired and dizzy and potentially bringing on vertigo, So I get books on audio now. I listen to so many books that it pays off to have an Audible account. Aside from having a regular supply of books to have read to me, if I feel like I want to access the text of the book I can get whispersync from Amazon to synchronize between the audiobook and the Kindle book, and that makes the experience a win-win for me no matter how I want to learn something new.
This was one of those instances where I was tempted to get both the Kindle book and the audiobook, especially since the page on Amazon offered me the Kindle book for $3.62 as shown in the header image for this article. Less than four bucks more and I could have the book to read for myself if I felt like reading it! So I bought the book and downloaded both versions to my phone. Then I noticed something odd. The Kindle book was not in English, it was in Romansh. I don’t even know what region of the world Romansh is spoken in, much less speak it myself.
Well, that’s weird. The Ubik page on Amazon’s website is written in English and it doesn’t say anything about the other versions of the book that are listed as being in other languages. Feel free to click the link under the image and see for yourself. There is no way to find the English Kindle book short of looking specifically for the book as a Kindle book and that book is not $3.62 it’s $9.99 (free with kindleunlimited! Another fucking subscription service. Just what I need.) more than twice the price of the Kindle book I was first offered. I know what this is, even though I’ve not seen it too many times before. This is false advertising, and I’ve been taken in by it.
So I started the refund on the Kindle book in a language I can’t read and opened a chat dialog with someone at Amazon so that I could resolve the problem of being sold something that I didn’t want. What I wanted was the book in English, the language the book was originally written in, and I wanted it at the advertised price on the Ubik page on Amazon. I mean, it takes less work to port over the exact type script of the original work than it does to pay someone to translate the book into another language, edit, copyedit, format, etc. the new manuscript into another language. Why was the Kindle book twice the price?
Well, I know why the Kindle book was twice the price, as does every person who deals with the frustration of getting any book in this day and age. Amazon and Apple and just about every other digital book publisher rigs the prices of books through contractual obligations at artificially high prices where they can get away with them, and then offers bargain prices where they cannot gouge the unsuspecting customer. And after an hour or so of arguing with the representative in the Amazon chat service, they conceded I had a legitimate complaint but that they were not contractually able to offer the digital books at the same prices that they offer them at in other countries and for other languages. However, I could get a credit for the difference in price between the two books, and that was the best that they could do for me. So I took the only route available to me and accepted the credit offer. Not that it really made me happy.
Today on Facebook I was offered a memory I may have missed from June 11th, 2018. Hey, it’s been a year and four days since the Amazon/Ubik conundrum. I’ve listened to/read the book now. More than once. I know why the dream sequence reminded my friend of that book. The one unresolved conundrum here is that the webpage for Ubik on Amazon still takes you to the Romansh Kindle version even when you type “Ubik” in a fresh instance on the Amazon store. Even though I returned that book and bought the English version for a final price of $3.62 when the store credit was applied. Even though I helpfully reiterated the potential legal liability that Amazon was opening itself up to by putting a price and no stated language waiver on the combined Ubik page that you land on when you type in Ubik on their home screen.
One whole year later, still not fixed. I saved the chat session logs. I saved the page images. It’s a simple thing to reassemble the entire conundrum, so I figured I’d do that. I mean, I’ve given them a year to fix their programming and they still haven’t done it. I wonder how many Kindle books there are out there that are offered at a lower price in a language other than English, versions that are offered on landing pages when you go looking for a book by its title? Books that are not the books that the shopper is looking for, even though they are tempted to buy the books for the lower price stated, later to have to go through the exact same process I have had to go through? There’s a class action lawsuit in there somewhere for the savvy lawyer to take advantage of. Just send my children the finders fee twenty years from now when the lawsuit settles, would you?
“To clarify, most of the ‘not on service’ shows are available for purchase on Amazon, but are not included with a Prime Video membership,” the analysts wrote. “So, consumers are confusing the streaming service for the Amazon video store.”
Even worse, the firm suggests that “it may be Amazon’s strategy to use Prime Video as a barker channel to upsell consumers to rent or buy the titles they want to see.”
InIn other words, the interface could very well be intentionally set up to prey upon your impulses at exactly the moment when you are most vulnerable. Let’s face it—how else are you going to save this pitiful Saturday night?
As mega-corporations grow increasingly powerful, they are exerting more control over their employees. Consider a new patent secured by Amazon for a cage-like contraption to enclose warehouse workers during their shifts. These metal cages mounted atop robotic trolleys are designed to shuttle workers around fulfillment centers, blurring the line between human and machine. Amazon has also considered using electronic wristbands to track their employees’ every move. – Robert Reich on Facebook
What’s IOI? Innovative Online Industries. You know, the corporation from Ready Player One. If you haven’t read it, get the Audible version read by Wil Wheaton. It’s excellent. Don’t watch the movie of the same name; or more exactly, don’t watch the movie of the same name and expect to see the story from the book. The movie contains an entirely different narrative, with different characters and different FX sequences. The plot for the book would have been far less exciting on screen, and would have made for a much longer film. As far as video stimulation goes, the movie has excellent FX sequences, they just aren’t plot points that occur in the book. At all.
How do I know that Amazon is the corporation from Ready Player One? Well, for one thing, that cage looks like something that IOI would think was OK for workers to spend the majority of their lives in. For another, the links to the book and the movie both go to Amazon. I could point other places, but they’ll all be owned by Amazon eventually.
The Wife and I watched the film a few weeks back. I had never read the book at the time, she had read the book. We set the viewing up on purpose as a test to see who enjoyed the film more. I’m pretty sure I won that contest. I had nothing to compare the film to and so had no expectations for it to fulfill. She spent the first thirty minutes of the film just trying to figure out where in the book the scriptwriter started the narrative at, because it certainly wasn’t anywhere in the first half of the book in spite of the fact that the first scenes have him living in the stacks.
Having watched the movie I then fell asleep to Wil Wheaton’s voice in my ear for the next week or so, describing the world of Ready Player One. A world that is either a post-apocalyptic hellscape or a capitalist paradise depending on your point of view going into the book. In any case, as usual, the Hollywood version has cardboard cutouts for villains and the novel has pretty well-fleshed characters that you can believe exist somewhere. Neither tale is free of flaws, but both have their own moments of entertainment value.
Just understand that, when I envision the giant robot battle for capitalist dominance of the globe, I will now picture Jeff Bezos inside the Mechagodzilla.
Let me spell out just how dumb this idea is, from the perspective of decades of Science Fiction reading. The Earth sits at the bottom of a pretty deep gravity well. It’s face would be more visibly pockmarked than it is were it not for the wind and water action on the surface, not to mention the verdant tree growth, masquing the damage inflicted on the Earth from simple rocks that it has encountered in it’s annual journey around the sun. There are tons of rocks out there in space. Tons of them. Asteroids that could extinguish all life on this planet, in an instant. If we want to destroy any spot on the globe, that potential is out there right now. It is just waiting for anyone, anyone, to go out there, strap a rocket motor to the thing, push it this way or that and hey, presto! you’ve vaporized the target of your choice on the surface of the earth, and probably several hundred square kilometers around it.
The stupidity of believing we could continue our warlike ways into space was spelled out quite well in Robert A. Heinlein’s libertarian exploration novel, The Moon is a Harsh Mistress. In that book we accompany the main character as he plots revolution against the Earth that sent him to a penal colony on the Moon. In order to avoid any major spoilers, I will simply observe that lobbing rocks at the Earth figures heavily in the plot of that novel. A Space Force is akin to the stupidity of placing the exiles from the Earth at the top of the Earth’s gravity well and daring them to get back at us. I expect a lunar penal colony will be the next great idea that the OHM will come up with, that’s how dumb the idea of a Space Force is. The world of Starship Troopers is waiting for us down that route through time, and I don’t recommend that future, either.
What life on this planet needs to understand is that we are at war with the rest of the universe, because the universe wants to kill us. Everywhere outside of the blanket of atmosphere that covers the Earth, death awaits. Gasping, freezing, boiling, death. We don’t need a Space Force because we don’t need to militarize space. Everything about going to space is a weapon. The rocket engines are weapons, the ships are weapons, that lug nut you forgot to tighten properly is a weapon after it comes loose, hurtling through space at thousands of miles an hour just waiting to intersect some habitat somewhere and destroy it. We cannot be at war with other people in space, because killing each other is far, far too easy to do out there. A moment of carelessness and everyone dies. Not exactly the place for the murderous or the stupid. Our only hope for the future is demilitarization, and it’s a pretty faint hope at that.
The demilitarization of space is the opposite of a Space Force. This is all aside from the fact that a Space Force is probably just another boondoggle like Reagan’s Star Wars. A boondoggle that will go nowhere and cost billions. It’s a stupid idea endorsed by stupid people. Or as Stonekettle Station put it, the money goes in the black hole and never comes out.
Splitting this so-called space force off from the Air Force (and presumably pulling the space-related components out of the other services as well), what does that give us that we don’t have now — and not just give us, but give us to such a degree that it justifies the cost and significantly increased complexity? What are the distinct requirements, the technology, skillsets, logistics, communications, training, facilities, targets, strategies, tactics, objectives, and missions that will define this space force? And how are those distinctly different from the current Air Force, distinct enough to warrant an entirely separate service with its enormous associated cost?
Why both an Air Force and a Space Force, instead of a single Aerospace Force?
Like everything else with Trump: what are the details?
Apparently I was being too subtle in the article above. Let me be more blunt. If you think that militarizing space is a good idea, if you think that the OHM isn’t proposing this project just to the line the pockets of his donors, then you are a member of group I refer to as stupid people. You are the kind of person that watches Iron Sky and masturbates to the images of swastikas on the screen.
Just FYI, if you watch Iron Sky and find you can’t laugh at it, then you have no sense of humor. You take yourself too seriously. You take your country too seriously (if you are an American) It is a European film made specifically to poke fun at Americans. Watch it again and again until you find the humor in it. That is my suggestion to anyone who finds they cannot laugh at themselves. If you undertake this effort maybe, just maybe, you will cease to be a member of the group I labeled stupid people.
We cannot realistically militarize space. Believing otherwise is to fall for storytelling tropes. If we don’t get past this self-hatred, we are done for as a species.
We lost Bill Paxton last Saturday and it was quite a blow to me as a film buff. I remember pretty much every movie he’s been in, and his characters in each film. What I found surprising going through my traditional (morbid?) ritual of watching something that featured the recently deceased, I couldn’t find anything that I wanted to watch that he starred in as a leading man.
Everyone remembers Twister, obviously. I probably remember it a little differently than most people. I grew up in tornado country. As good as the rest of the film is, I can never get past the final sequence of the two lead actors running uphill to lash themselves to a pipe in a wooden shed, with horses calmly ignoring the digital storm they couldn’t see around them. This poorly thought out and executed sequence pulls me right out of the film and worst of all, ruins the whole thing for me. The rest of Twister deserves the kind of tribute that the storm chasers gave him upon learning of his death. I hadn’t known it was such an inspiration to young kids of the time, motivating them to go into the field of meteorology and storm chasing in particular. Any film that inspires young people to do something good with their lives has to get a passing grade no matter what its other failings might be.
Similarly I wanted to like the film A Simple Plan but was put off by the fact that it was sold to us as a comedy in the trailers and promotional material, but was so definately not a comedy in viewing. It is a tragedy and a drama and worth watching. No matter how good it is it’s not going to be remembered in a kind light when The Wife wants a comedy and she’s mad and crying. That doesn’t bode well for the film ever being rewatched in this household.
We settled on Apollo 13 and Tombstonefor our tribute to him, two excellent films in which he plays positive if lightly comedic supporting characters, which was actually what Bill Paxton was the best at.
This shouldn’t be seen as a slam or a put-down. The leading actor or actress in a film or play is only as good as their supporting actors allow them to be, and he was a consummate artist at playing the comedic foil or the well-intentioned loudmouth. My favorite film features him in a role he was essentially made for as an actor, the role of PFC. William L. Hudson in Aliens. It was just one more in a series of great supporting roles that enabled the top billed names to shine through his artistry off-screen as well as on it, but the stars were right in that film.
My favorite director combined with my favorite actor and actress of the time, with hands down one of the best supporting casts ever assembled. Case in point. I stumbled across this interview in my teary-eyed path down memory lane, and marveled at how these two work the interview together.
My favorite actress and one of my favorite supporting men, just naturally continuing the leading lady, supporting actor relationship established in the film; him laying up subjects for her to embroider as a leading lady should. Just a gentleman and the support that he should be, happy to be part of the interview.
I’ll have to sit down and watch his directorial efforts Frailty and The Greatest Game Ever Playedjust to confirm for myself that they are as good as my friends have said they are, but he will always be Hudson to me. I hope he doesn’t mind if I remember him that way.
It’s shocking and sad that American film and television creators won’t be able to rely on Paxton’s rough-hewn decency, his game sense of humor, and his canny ability to steal a scene. Paxton was dependably watchable in projects that weren’t as good as he was, and great in roles that gave his characters the scope and depth to display their irreverent and essential humanity.
As a people, we don’t believe in America. We stopped believing in America sometime after WWII. Maybe it was some time during the McCarthy hearings. Maybe it was the assassination of JFK. Maybe it was the sixties and the Vietnam war. Maybe it was Nixon and Watergate. And maybe it’s been the sea change in our culture. Maybe the democrats failed to understand the smoldering resentment of the red-state voters. But probably it was all of these things.
America became someplace else after WWII. Before WWI, before the crash in ’29; before all of that, the US was mostly farms and industrial manufacturing focused on delivering products to Americans who needed them. After WWII we became aware of our power. More importantly, our leaders became aware of it and used it to throw our weight around the globe, influencing other nations to enter our circle of friends, the people who would get rich off of our prosperity with us.
Today we consume most of the production that the world generates, while paying little to nothing for it aside from letters of credit to foreign powers who then use that wealth to buy up parts of the US.
Demanding what we want at the point of a gun, as we have done since the 80’s, is getting old now. The rest of the world is beginning not to care what we whiney Americans want, and they aren’t going to keep buying our debt in exchange for their blood and treasure if we don’t let them own us in return.
The system which worked following WWII has come to it’s functional end. It is time for a new system to be born, and I don’t think the world is ready to take on that herculean task. I don’t think we can afford to wait, either.
This change since WWII, this focus on the Military Industrial Complex and it’s servants in Washington D.C. are why Philip K. Dick’s stories have played so well in the last few decades. There is a madness there in his stories, a madness that the man himself suffered from profoundly. That madness is echoed in the world around us, the disconnection between what is real and what we want to be real.
It is almost as if we didn’t win WWII. It is almost as if we… lost?
I find the phrase knows just enough to be dangerous to be quite apt when it comes to most things climate science. This applies even more strongly to those within the scientific fields than it does to the man on the street who is just trying to get by in life working three jobs and sharing an apartment with 3 other people.
The video (and transcript) below were shared by a friend the other day. I tuned out of watching the video when I realized that the article beneath it was just a transcript of the video presentation. The fact that my friend didn’t believe in anthropogenic climate change the last time I checked influenced my dismissal of the video as Not. Real. Science. There was also the looming risk of being sucked into another conspiracy fantasy to factor into the weight I would give any data found within the article.
Everyone has a bias. Especially people who disagree with science.
My friend insisted that I had to watch the video or at least read the transcript, so I bit the bullet and watched. I’m not making any promises on producing insights that would be accepted by anyone who would deny climate changes, the determinable causes of climate changing, but I’ll give it my best shot.
First off, if I had realized that the video was from the GWPF I would have been a little slower to dismiss it. I don’t write about climate change on this blog very much because, quite frankly, I’m one of the dangerous people. I know just enough about the subject to get myself into trouble and can be (demonstrably have been with other subjects) lead down rabbit holes unless I keep my guard up.
I was slow to buy in to the idea that climate change was a thing because of this, and for a brief time was in the same camp as several of my friends (and the late author Michael Crichton as another example) that climate change was some kind of conspiracy. It wasn’t until I ran across this argument presented on 350.org that I realized just how demonstrable AGW was,
Since the beginning of human civilization, our atmosphere contained about 275 ppm of carbon dioxide. That is the planet “on which civilization developed and to which life on earth is adapted.” Beginning in the 18th century, humans began to burn coal, gas, and oil to produce energy and goods. The amount of carbon in the atmosphere began to rise, at first slowly and now more quickly. Many of the activities we do every day like turning the lights on, cooking food, or heating our homes rely on energy sources that emit carbon dioxide and other heat-trapping gases. We’re taking millions of years worth of carbon, once stored beneath the earth as fossil fuels, and releasing it into the atmosphere.
Right now we’re at 400 ppm, and we’re adding 2 ppm of carbon dioxide to the atmosphere every year. Unless we are able to rapidly turn that around and return to below 350 ppm this century, we risk triggering tipping points and irreversible impacts that could send climate change spinning truly beyond our control.
Ice cores demonstrate that throughout human history (several hundred thousand years in fact) CO2 levels have remained low. What CO2 was prior to human history is hard to determine. Hard to determine because discovering clues to that data in geologic strata is hard. However, as this study notes,
The carbon dioxide (CO2) content of the atmosphere has varied cyclically between ~180 and ~280 parts per million by volume over the past 800,000 years, closely coupled with temperature and sea level. For earlier periods in Earth’s history, the partial pressure of CO2 (pCO2) is much less certain, and the relation between pCO2 and climate remains poorly constrained. We use boron/calcium ratios in foraminifera to estimate pCO2 during major climate transitions of the past 20 million years. During the Middle Miocene, when temperatures were ~3° to 6°C warmer and sea level was 25 to 40 meters higher than at present, pCO2 appears to have been similar to modern levels. Decreases in pCO2 were apparently synchronous with major episodes of glacial expansion during the Middle Miocene (~14 to 10 million years ago) and Late Pliocene (~3.3 to 2.4 million years ago).
If you need help converting meters to feet, it’s about 3 feet to 1 meter. About floor 9 of a beachfront Miami condo for those still not getting the impact of sea level changes in our modern world. Manhattan will eventually be right on the water, which will mean it will take quite a trick to keep water out of those subways in the future.
“We should take predictions of doom with a pinch of salt.”
Well, that is a no-brainer. I was reading books like ICE when I was in my teens. I was well aware that we were supposed to be caught up in a returning ice age by the time we got to 2000, according to the doom & gloom types, as the speaker goes into in the video (this is a myth, just FYI. A myth that I believed) I never bought into Al Gore’s propositions of global disaster from global warming; but the science is pretty solid as I noted above, and it is just the models which fail to predict outcomes in any meaningful way.
Trees in the Eastern United States are growing faster than they have in the last two centuries in response to Earth’s warming climate, a new study finds.
For more than 20 years forest ecologist Geoffrey Parker, based at the Smithsonian Environmental Research Center outside Washington, D.C., has tracked the growth of 55 stands of mixed hardwood forest plots in Maryland.
Parker’s tree censuses over this period have revealed that these forested areas are packing on weight at a much faster rate than expected; on average, the forests are growing an additional 2 tons per acre annually. That works out to the equivalent of a tree with a diameter of 2 feet (0.6 m) sprouting up over a year.
Recent research has revealed that trees across the world continue to grow significantly faster than they did before the 1960s, but what’s the cause? Experts from Technische Universität München (TUM) provide evidence and speculation about this mysterious phenomenon in a recent study.
The study, published in the journal Nature Communications, details how the rate of tree growth, particularly in Central Europe, has increased by up to 70 percent over the last few decades.
These findings were based on an analysis of long term data from experimental forest plots that have been in observation since 1870. The plots of forest were designed to serve as a representation for average soil and climate conditions throughout Central Europe.
I replied with this article in the facebook comment thread where this argument started,
Earlier this month, NASA scientists provided a visualization of a startling climate change trend — the Earth is getting greener, as viewed from space, especially in its rapidly warming northern regions. And this is presumably occurring as more carbon dioxide in the air, along with warmer temperatures and longer growing seasons, makes plants very, very happy.
Now, new research in Nature Climate Change not only reinforces the reality of this trend — which is already provoking debate about the overall climate consequences of a warming Arctic — but statistically attributes it to human causes, which largely means greenhouse gas emissions (albeit with a mix of other elements as well).
The roughly three-decade greening trend itself is apparent, the study notes, in satellite images of “leaf area index” — defined as “the amount of leaf area per ground area,” as Robert Buitenwerf of Aaarhus University in Denmark explains in a commentary accompanying the study — across most of the northern hemisphere outside of the tropics, a region sometimes defined as the “extratropics.” Granted, there are a few patches in Alaska, Canada and Eurasia where greening has not been seen.
Before being pestered into watching the full video, commenting on the full transcript. The greening argument is old news for me. I’ve already looked into it. It is an interesting development. Its full impact is still unknown.
What I found most interesting in the talk was Matt Ridley’s note that most dire projections are based on RCP 8.5. I can agree with him on the lunacy of projecting based on this worst-case-scenario outcome. It just makes you look foolish when your predictions turn out to be so incredibly wrong.
Then he goes off the reservation and never returns.
No renewable energy subsidies? Fine. You first. Get the entirety of the rest of the fossil fuels industry to give up their subsidies and we’ll talk. Worse than being disinterested on the subject of Global Warming or Climate Change (which ever label you prefer) Matt Ridley is invested in coal. Lives and dies by demand for coal. I suggest, as I have about a dozen times, that we either remove subsidies from all ventures, or encourage all sound ventures with subsidies.
Sound ventures. That doesn’t me we subsidize ethanol, which I have never understood being considered a green product. However, creation of wind farms across the windier areas of the world, and solar cells on every rooftop that gets moderate sun are completely reasonable propositions and should be subsidized if other forms of energy production are subsidized. I can generate electricity and to spare with solar cells on my roof, and that includes charging my electric car. That is a benefit to me and the planet in general.
He also never mentions that while sea level rise isn’t as bad as projected, any rise in sea levels produces larger disasters than we’ve seen in the past, as both hurricane Sandy and Katrina demonstrated. I’m still betting we are surfing through the ruins of Miami long before the arguments about climate change are settled, and I’m willing to bet the current residents of Miami would find that outcome pretty disastrous.
For what it’s worth, The next to last video loaded on the GWPF stream is the one I find most relevant.
This is the problem with modern science. Findings are reported as if they are science by most journalists, when the complete opposite is the case, as the short video goes into. Findings are not science. Findings are discoveries. Duplication of findings is science, the drudge work of science that far too few people show any interest in doing, to the detriment of us all.
Even in the face of the triumph of climate deniers and outright economic criminals (the looming election of the OHM) the astrobiologist David Grinspoon sounds a hopeful note for the future, pointing out that we are already moving in new directions climate-wise with or without our governments attempts to influence our behavior.
I’m a time travel story junkie. I have been into time travel stories for as long as I can remember. The problem with this film isn’t that it concerns time travel. The problem is that the story is not well-fleshed. The audio is hard to follow, and the story points are clearly added in later as an afterthought.
Even on rewatching it really doesn’t make sense. Not because it is time travel, but because the story is not fleshed out enough to leave breadcrumbs for the uninitiated (people who have not read the script) to be able to follow it. In the end you have to take the narrator’s word for it that the film makes sense.
There is a story here. I personally hope someone else takes the time to tell it well.
This is going to be a bit like stream of consciousness to the reader. My apologies in advance for this if you find it impossible to follow.
I clicked a Youtube video link not realizing I was going on a journey that would take all day.
This kind of slapstick comes across as too funny. Too funny as in 90 minutes of this would kill me with stupid. I might watch it. I might not. I can’t say. It is billed as featuring 40 previous iconic “Star Trek” actors so I might have to see it. But then that is what the filmmakers are counting on when they make these kinds of movies.
While I’m sitting there contemplating whether to hazard my diminishing quantities of brain cells watching so much stupid at one time (like a Marx Brothers film) the dreaded Youtube autoplay kicked in. First it was this short.
Camera motion, blood effects. Chopping one’s own arm off. Yeah, I can see walking out of all of these (I haven’t watched any American Horror Story. It’s just not my style. I am surprised the wife hasn’t wanted to watch it) which is why I haven’t seen some of them. Infrasound would explain a lot of things about certain horror films and my reactions to them.
Crap. Autoplay kicked in again while contemplating Tree of Life (Should I, shouldn’t I? Have I already? Is this me thinking?) What the hell will be next is anybody’s guess.
I’ve seen all but three of these (those three are now in my Netflix queue) Two or three of them are on my “must see” list when someone asks me what to watch next (hint; I have a soft spot for Bruce Dern, Roy Scheider and Sam Rockwell) For the inquiring minds, Heavy Metal was a movie about an adult comic book which apparently nobody ever admits to reading, not about the rock music which may or may not have been either inspired by or the inspiration for the magazine. The artwork in the movie is drawn directly from the various illustration styles in the magazine. Yes, I will admit to reading a few copies in my youth. Regrettably I don’t own any of them anymore.
Had Pitch Black made it on their list, it would have been four movies. I am once again victimized by autoplay.
Not sure all of these films are worth watching, much less being best films you should watch but haven’t. Foreign language films are not for everyone, so I don’t generally recommend them to people I know who won’t be up for reading subtitles, even if I might watch them myself.
I would personally recommend A Boy and His Dog. This is where the list starts to go sideways for me. This and the list that follows this one. It starts with the still image that introduces the list.
Don’t get me wrong, I think 2001 is a fine film. I think you should watch that and 2010 back to back. But 2001 is a snooze-fest. It is glacially slow as a movie. I don’t think a lot of people watch that movie over and over. They remember watching it as a child, but haven’t tried to watch it recently. I have, several times. Like the 60’s it was created in, it takes the right kinds of drugs to appreciate this film properly.
Don’t get me wrong, I love Stanley Kubrick. He has three films at least that I would put in the category of best science fiction films. Not just 2001 but also A Clockwork Orange and Doctor Strangelove. Most film critics will speak highly of Stanley Kubrick and his films. He is an auteur, his films bear the indelible mark of his authorship. But few of his films are light or fun to watch. You don’t just pop in A Clockwork Orange for a bit of light afternoon entertainment.
If they can recommend Strange Days without a caution (and I wouldn’t do that. Be prepared for murder and rape scenes conducted in the first person) then A Clockwork Orange is a walk in the park to watch.
No top ten list of science fiction (SF) is complete without Metropolis and Forbidden Planet. You cannot be a SF film fanatic without having seen those two films and recommending those two films. They can’t be on a list of films you haven’t seen; and if they are, your fan credentials will be subject to revocation.
Metropolis is arguably the mother of all modern SF, a film that has been revisited and reimagined in nearly every tale of dystopia, every film that questions who we really are, any film that posits the difference between man and machine. In the same vein Forbidden Planet is the forebear of Star Trek, Star Wars, etc. Those two films have to be on the top ten list or the list is invalid, in my opinion.
Especially any list that credits The Empire Strikes Back as the best SF film of all time. I doubt very much that anyone who wasn’t raised on Star Wars will think that Empire Strikes Back (much less any other Star Wars film aside from the original) should be on the list, much less topping it. Well, perhaps the original Star Wars; not the now-titled Episode 4, but the film which aired back in 1977, the film that may single-handedly require my maintenance of a functioning laserdisc player in my home. You remember, the movie where Han is the only person to fire a blaster in the famous bar scene? That film goes on a top ten list, if I could ever settle for ten.
I’m lying by the way. I won’t maintain the laserdisc player just for Star Wars. I will do it for the making of disc for The Abyss, for Tron, for the pressing of Highlander 2 Renegade cut and the copy of 1776 with the bits Jack Warner personally cut out of the film spliced back in and the splice marks still visible. I can link the version of 1776 that says “director’s cut” but there isn’t any way to watch the version I like other than on laserdisc. Same for the making of the Abyss which goes into the ordeal of constructing a set inside of and then flooding an abandoned nuclear reactor vessel so that real underwater shots could be pulled off with that deep water feel. The Abyss (special edition only) is one of the many, many films I would have to include in any list of SF films worth compiling.
There are a lot of good films included in their list, but I disagree with most of the films in the top five. I like them but they are all modern films. Derivative works of derivative works, unless you are talking about the Matrix or the Terminator (Not Terminator II. It’s good and a decent rewatch, just not as good as the first movie which it is derived from) both of which should be way up the list, higher than the Matrix actually appears.
Ten through six are all good solid films. I need to rewatch the War of The Worlds. I haven’t seen it since the 70’s on broadcast TV. I have the box set of all the original Planet of the Apes films. They all rewatch well aside from the last one.
Children of Men was a heart-wrenching film to watch, but I have little doubt it will survive as a cautionary tale of meddling with mother nature. The original version of The Day the Earth Stood Still was almost unique in its time period with the portrayal of aliens as not being hellbent on destroying us (a fact that the equally good but not as memorable remake decided to change) which lends it the credibility to withstand time. Children of Men is actually one among many films which portray humans as our own worst enemy.
Jurassic Park is showing signs of age, despite their insistence that it isn’t. Maybe it is the weight of the miserable sequels that colors my impression of it. Can’t tell yet. But Aliens? Really, Aliens but not Alien? I agree the sequels that follow are best forgotten, but how do you watch Aliens without first watching Alien? Can’t be done.
Which is the problem with derivative works and especially sequels. Without context the film is divorced from most of its meaning and has to survive on its own merit alone. This is why The Empire Strikes Back will not be remembered as the best SF film ever. Because without the first film (1977 Star Wars) you don’t know who the Empire is. Why the villain being Luke’s dad is a problem. Who the hell Luke is in the first place.
If we’re just going to recommend sequels, movies that you have to have watched the previous versions to be able to appreciate, I’d like to put in a shameless plug for Terminator Genisys (deja vu if you’ve read my last post carefully) As I’ve noted when recommending previously, the first 10 to 20 minutes of the film (after the first time jump) is a shot for shot tribute to the original film. It is the most beautifully made and scripted film that I’ve seen for awhile now, and it builds on established previous entries into the film canon, builds on them then knocks them all down, in ways that the viewer will not see coming. If you want to watch a good sequel, this is one for you to enjoy.
If I was going to make a list of ten films you probably haven’t seen recently (if ever) but speak highly of, 2001 is going to be top of that list. In fact, most of the Top 10 list that WatchMojo put together are films that I guarantee the compilers have not rewatched recently.
If you surf over to the WatchMojo website you will notice that they do an awful lot of top ten lists. Way, way more of them than is healthy, quite frankly. In fact, I can’t even find the films-by-decade lists that are mentioned in the Top Ten list just to see if the films I think are relevant are on those lists. I think that creating these endless list films that they produce keeps them from taking the time to enjoy the life that they rate in top ten increments several times a day.
I appear to have stumbled upon the kind of site that internet surfers loathe. The dreaded clickbait. The site that sucks up all your life and time, without giving you much in return. This explains why their films list is mostly modern films, or films recently remade with modern versions, like War of the Worlds and The Day the Earth Stood Still. Not an in depth analysis of any real kind at all. And I’ve written how much on this subject now? Several pages, at least.
So what about a real Top Ten List? The ten best SF films ever made? I don’t think I can create a list of only 10 of them. I tried to create one of those kinds of lists ages ago on Flixster. I soon found out that limiting the list to ten films requires that I eliminate films that are essential to understanding the artform. Films like Metropolis and Forbidden Planet.
The profile link for my list says I have 15 films on it. I can’t see them because their website enters an error when I go to click on my own created content. The web 2.0, more broken than the web 1.0 and now featuring more advertising. Luckily I copied a version of it off and posted it to this blog. I have no idea if it is the last one or not, but here is at least one of my lists.
Avatar should be in the top five. We can start with that. A lot of people love to hate on Avatar, but it is the film that inspired the resurgence of 3D and it wasn’t the 3D in the film that was remarkable. It is the fact that you cannot tell the animation from the real images in the film that makes it so remarkable. That you can have such a realistically animated film and not cross the uncanny valley in the process. It is an amazing film, soon to be a series of 4 films.
Top Ten worthy films produced since Avatar? I can offer a few.
Ex Machina. Highly rated and very watchable, it explores the boundaries of what is or isn’t human better than any film I’ve seen on the subject. A film worth mentioning that is also in the vein of Ex Machina is Transcendence, one of those poorly received for no good reason films, consequently not a film that would make a top ten list.
Why won’t Transcendence be a top ten listed film? Because commercial success figures into the calculation of what is or isn’t good, what is or isn’t preserved, what is or isn’t watchable by people who pick up the material to watch later. If the film was highly rated and it made a lot of money, then it is also still a valuable experience to have, even though I don’t know who Luke Skywalker is (spoken figuratively, from the future) if you want to make lists that don’t make you sound like an idiot, you have to take all of those metrics into account. And since future prediction is something we humans suck at, most of our lists will be utterly worthless.
Take, for instance, Gravity. This is a fine film. Highly rated. Made lots of money. Probably won’t be remembered (my apologies to Sandra Bullock) because it deals with current technology and doesn’t do that really well, even though the cinematography is excellent an the acting is nearly faultless.
In the same vein of discussion, the mainstays of current cinema, the sequel, the franchise, none of those films survive without the other films in the series, just like the Saturday morning serials of old. Consequently no Star Wars, no Star Trek, no Mad Max, no Alien will go down in history as worthy of mention, unless the first in the series merits it, or there is established a place for serial media (like television) to be consumed in the order it was produced. This gives the viewing experience context, gives it meaning it doesn’t contain within its own constrained run-time.
That is why Alien appears at number five in my old list, and Aliens at number 10, and those are the only sequelized films on the list. Because films that are part of another genre, that can’t hold their own alone, will not be remembered. This means most of the comic book movies will also not be on any lists, if we can call those SF and not Fantasy. And whether they would be considered SF is an open question, so don’t dismiss it. If we’re talking fantasy films, we’ve opened an entirely different discussion. A discussion where the film Legend figures prominently.
Continuing the SF list. Blade Runner would also have to be on the list. It is iconic. Worth mentioning is Dark City a twisted little film with the same feel and a completely different storyline. Both of those border on fantasy, so I could see how they would be excluded from a hard SF list. That is, if anyone actually knew what hard SF was, could meet others who thought they knew and that group could then agree on what the term meant. I consider that presumption fantasy in and of itself.
As I go down that old list, I can discard several films as being temporarily relevant. Films like Serenity. I still love it, but I am reconciled with the show never returning now. I keep hoping the Firefly online game will release, but I’m beginning to suspect that is also not going to happen.
Vanilla Sky and Eternal Sunshine of the Spotless Mind really are hard to rewatch. The Truman Show is still watchable, but really not surprising in the current age of reality TV. You can easily see someone pretending not to be on camera, deluding themselves into thinking the illusion is real. Sadly, it is all too believable now. Truman not knowing he was on camera? That is hard to believe.
I think A.I. should still be on the list, but it may fall off soon. We are just now getting to the point where robots are real things, much less making them capable of passing for human. The singularity that futurists are still fascinated with is portrayed loosely in that film, making it still relevant. Once the robots are among us, there is no telling what will happen next.
The last film that I’ve seen that should probably be included in any top 10 list is The Martian. Worlds better than Red Planet or Mission to Mars(Hollywood is so incestuous) both of which I paid money to see (Red Planet is good fun, just not good SF) The Martian holds up to the most intense scrutiny of scientists (other than the storm at the beginning) making it the most solidly science based fiction film since 2001.
Worthy of mention is Interstellar. Almost a time travel story (almost!) it mixes science and fantasy and comes up with a decent little film exploring the near future and what we might be facing soon if we aren’t careful.
Which brings me to the last great film that Robin Williams was in before he died, the movie The Final Cut; the story of a man afraid to live his own life, so instead spends his time authoring the stories of other people’s lives.
What else would be on the current list? I’m still working on that.
Fomenting a love of reading in the next generation should be one of a parent’s highest goals. With a love of reading an intelligent child can learn almost anything needed to cope in life. Without it even the brightest cannot fend for themselves.
Let me set something straight. I love Doctor Who. I have watched every episode available from the First Hartnell to the latest Matt Smith. My cable system and PVR let me down and didn’t record this years Christmas Special, (wasn’t marked “new” apparently) so kudos to Amazon for having it available to purchase and stream (can I get a round figure on what it would cost to own all of the Doctor this way? Less than 5 figures, please) Doctor Who remains Doctor Who whether we’re talking about Hartnell’s Captain Kangaroo delivery, Pertwee’s 007 flamboyancy, Tom Baker’s charming teeth and curls, or Matt Smith doing a fair impression of Troughton’s second doctor. It’s all British, it’s all time traveling entertainment on a grand scale.
Watch this one, it’s good.
However, I write this post because, once again, I’m sent a message by Amazon asking me “how many stars I would give this show”. The same hook they use each time I purchase ANYTHING. From a song to a book to a movie that is 20 years old; to this film (which could probably benefit from a positive review) and each time I fall for the hook and wander over here, it’s demanded of me that I wax verbose on the subject of whatever it is. If I’ve purchased a single song, I cannot leave a review without writing an essay about it! That is simply ridiculous.
Please. Please, I’m begging here. Remove the requirement that essays be written for each and every product that you purchase, just so you can give an ‘attay boy’ to something that deserves it, without having to struggle with wit and punctuation, and heaven forbid CAPS LOCK. Let us just give a star rating, please? At least quit pretending in your e-mails that a star rating is all you want.