Here’s the important part:
Where: Outside the Littlefield Building, 106 E. Sixth St.
S.C. Essai’s sly ‘Cybertar’ communicates on multiple levels. Made from ‘dead computer parts’ Essai has collected over her years working in the tech industry, the geek-chic guitar represents Austin to the core. ‘This is sort of a way to merge elements of Austin, merge the high-tech with the music,’ she says. ‘I’m one of not a whole lot of people whose art is made from spare computer parts. And the name I use is part of the art itself. SCSI is an abbreviation that stands for Small Computer Systems Interface.’ Very clever. Essai painted the individual pieces and worked diligently to sculpt them into the (difficult, it turns out) contours of her fiberglass canvas.
March 15, 2019. I cannot find a single working link to any of the Gibson Guitartown information that was easily accessible at the time that I wrote this piece. The Statesman has hit hard times and no longer keeps records online where they can be found. Gibson has also removed all the data to an archive that is a pale reflection of what existed previously. I may have to reach out to the people who put the original pages together and find out if there is any way to get them onto the Wayback machine so that this period in history is not lost to the future. This is something we are going to have to take much more seriously.