Ric Ocasek’s death being fresh in my mind (September 15th) I feel like I should say something about the influence of his music here. As many times as I listened to The Cars music and loved it while listening to it, I can’t remember any particular song other than Moving in Stereo that I really felt spoke to me.
I played the hell out of that first album. Alone on the highway, wanting to spend one more hour away from home in Sweetwater. Anywhere but home in Sweetwater. All of the songs on the album were good, but Moving in Stereo‘s funky arrangement, along with the repeated verse,
Life’s the same, I’m moving in stereo Life’s the same except for my shoes Life’s the same, you’re shaking like tremolo Life’s the same, it’s all inside you
really spoke to the weirdness of teenage life for me. Had Talking HeadsRemain in Light or Speaking in Tongues come out before 1980, that would have been one of the albums and groups I would have turned to for my music at the time. But they weren’t on the scene for me in 1978-1979, and Ric Ocasek and the Cars filled that need to express the restlessness of youth.
The restlessness of the almost-man but not yet man. As that almost-man the Vargas cover of their second album, Candy-O, said things to me that I didn’t understand at the time. The music on Candy-O, like the music on Panorama that followed it was solid pop rock. It just wasn’t that much different from their first album, which overshadowed them.
Then Shake it Up came out. The first side of the cassette was also predictable Cars-style pop music, much like work that they had done before. However, side two of the cassette that I bought started with A Dream Away and progressed through to the end and Maybe Baby. That cassette I also wore out, but mostly just one side of it. An experience lost to time now that you can get songs in whatever order you like but cannot experience the seamless flow of one melody into another melody without pause.
This poem ran through my head for weeks as I watched my mother slowly fade away. As I watched my dad die. It is the only answer I have.
Do not go gentle into that good night, Old age should burn and rave at close of day; Rage, rage against the dying of the light.
Though wise men at their end know dark is right, Because their words had forked no lightning they Do not go gentle into that good night.
Good men, the last wave by, crying how bright Their frail deeds might have danced in a green bay, Rage, rage against the dying of the light.
Wild men who caught and sang the sun in flight, And learn, too late, they grieved it on its way, Do not go gentle into that good night.
Grave men, near death, who see with blinding sight Blind eyes could blaze like meteors and be gay, Rage, rage against the dying of the light. And you, my father, there on the sad height, Curse, bless, me now with your fierce tears, I pray. Do not go gentle into that good night. Rage, rage against the dying of the light.
(Yes, I realize that posting the poem here constitutes a probable breach of copyright. The widget that allows for embedding the poem does not function. I would happily have used that function if it worked. It would have been easier.)
Barbara Ann Polk left this earth on February 9th, 2018 to be with the angels, while in the company of her family. Born June 8, 1941 in Williamsport, Pennsylvania, she was her mother’s youngest child and her father’s second child. Barbara moved many times in her life, Sacramento, CA; Leoti, KS; Sweetwater, TX; San Angelo, TX; Albuquerque, NM; and Buda/Austin, TX. She graduated from Angelo State University in 1992 with an RN and worked as a nurse and hospice care supervisor for many years. She was preceded in death by her mother – Lucille R. Lavo Zonge, her father Randolph Daniel Zonge Sr., her stepmother, Marie Mendler Zonge, and her brother Kenneth L. Zonge. She is survived by her brother, Randolph Daniel Zonge, Jr.; her children: Ray Anthony Steele, Jonnette Ann Kraft, Dawn Marie Wostal, John Russell Steele and her seven grandchildren and her three great-grandchildren. The family will have a private memorial service for her in the fall. She requested that in lieu of flowers, donations be made to World Vision. (www.worldvision.org)
I am very nearly without words today. It takes great effort to even think in words. Melodies and harmonies are all that are running through my head. I cried when we lost George Harrison. Despaired when Prince died too young. But those are just the wounds that spring to mind because they are contextual. Revived because of proximity.
Tom Petty was more than a musician to me. Tom Petty described my soul to me, and he didn’t just do it once. He did it over and over again through the course of my life, the course of his career. I identified with his music in ways I simply cannot describe.
He died doing what he wanted to do, ending a tour in support of his latest album. He went quickly and without suffering. Most of us want to be that lucky when it comes our time to go.
I could post tracks all day long, and I did post tracks all day long on the day I learned of his death. I read about it not too long after getting up that day, but his death wasn’t officially confirmed until later.
Petty’s final show was last week, performing three sold-out shows at the Hollywood Bowl to conclude their 40th anniversary tour, CBS News reports.
He told Rolling Stone that he thought this would be the group’s last tour together.
“It’s very likely we’ll keep playing, but will we take on 50 shows in one tour? I don’t think so. I’d be lying if I didn’t say I was thinking this might be the last big one. We’re all on the backside of our sixties. I have a granddaughter now I’d like to see as much as I can. I don’t want to spend my life on the road. This tour will take me away for four months. With a little kid, that’s a lot of time.”
It was the day after the horrific mass shooting in Las Vegas. One more mass shooting in a near-infinite string of tragedies that, quite frankly, I refuse to pay attention to anymore. If anyone cared we’d actually talk about gun control in a way that might be productive. But we can’t and we don’t and so, like September 11th being my dad’s birthday, I didn’t and won’t post about another mass shooting that won’t change anything. Jim has it right. We are Bang, Bang Crazy.
So instead I will mourn the death of a man whose work I cherished above most others of his caliber. He lived a full life and died early. Not as early as many who had the kind of talent he had, but he also didn’t live as long as the rare few do. I’ll miss him. We all will miss him and the music he might have gone on to make.
A Facebook friend and fellow fan challenged other fans to quick, give me your favorite Tom Petty lyrics. Rather than give her my favorite (which is Breakdown above) I posted the lyrics that I went to the point of actually signing up to edit that day, Learning To Fly. I signed up so as to get the correct stanza structure for the song set down properly on Lyrically. Someone had just pasted content from another website (probably) and/or didn’t understand how poetry is written and why. But that is how much I thought this was the song to remember him by on that day.
Well I started out Down a dirty road Started out All alone And the sun went down As I crossed the hill And the town lit up The world got still I’m learning to fly, But I ain’t got wings Coming down Is the hardest thing Well the good ol’ days May not return And the rocks might melt And the sea may burn I’m learning to fly But I ain’t got wings Coming down Is the hardest thing Well some say life Will beat you down and break your heart Steal your crown So I’ve started out For God knows where I guess I’ll know When I get there I’m learning to fly Around the clouds But what goes up Must come down
It has now been about two weeks since the day he died, but I’m back dating this article to the day, the day, because I really don’t care if anyone reads this or not. I finished watching the documentary Tom Petty And The Heartbreakers: Runnin’ Down A Dream a few days ago. Watching it brought back some memories that I really wanted to put down in this post.
His album, Hard Promises came out the year I graduated. I remember going to the Hastings record store next to the Safeway I was courtesy clerking at in 1980 and buying that cassette (vinyl was and is the purview of music collectors with money. Something I’ve never had any of) and subsequently Damn the Torpedoes. I remember not being willing to buy the first album because of the cheesy cover art, which says a lot about the importance of graphic design. The title of You’re Gonna Get itI deemed too juvenile, like Fair Warning, Van Halen’s fourth album.
If you’re poor fighting is the norm. You fight to get everything, all the time. When your stepfather is abusive, conflict is a foregone conclusion. Using the phrases of the abuser you’re gonna get it is descend to their level. I always tried to be more than that, more than the abuser was in their petty little mind. So violence was to be avoided, not encouraged. If violence is inevitable you make sure you emerge the victor, you don’t worry about methods beyond their capacity to produce desired outcomes. Hit them from behind, above, with a blunt object and keep swinging until the target stops moving. Easier to do than thinking.
Tom Petty knew how to fight and proved it repeatedly. Proved it by filing for bankruptcy to get control of his music back, winning the first case against a record company, leading the way for others who had signed usurious record contracts to also get control of their music back. His lawsuit altered the face of the music business, leading the way towards the music industry of today which exists to serve artists and not the other way around.
After completing his Southern Accents tour, he was one of the best-selling artists in music history. So what does he do next? He and the Heartbreakers agree to go on the road, touring with Bob Dylan as his backing band. Who else has progressed from headlining his own shows to being the backing band for another artist? Has anyone else ever done that? After a few more albums and more success, they joined Johnny Cash’s studio back up band.
“What they call country today is like bad rock groups with a fiddle”
We lost Bill Paxton last Saturday and it was quite a blow to me as a film buff. I remember pretty much every movie he’s been in, and his characters in each film. What I found surprising going through my traditional (morbid?) ritual of watching something that featured the recently deceased, I couldn’t find anything that I wanted to watch that he starred in as a leading man.
Everyone remembers Twister, obviously. I probably remember it a little differently than most people. I grew up in tornado country. As good as the rest of the film is, I can never get past the final sequence of the two lead actors running uphill to lash themselves to a pipe in a wooden shed, with horses calmly ignoring the digital storm they couldn’t see around them. This poorly thought out and executed sequence pulls me right out of the film and worst of all, ruins the whole thing for me. The rest of Twister deserves the kind of tribute that the storm chasers gave him upon learning of his death. I hadn’t known it was such an inspiration to young kids of the time, motivating them to go into the field of meteorology and storm chasing in particular. Any film that inspires young people to do something good with their lives has to get a passing grade no matter what its other failings might be.
Similarly I wanted to like the film A Simple Plan but was put off by the fact that it was sold to us as a comedy in the trailers and promotional material, but was so definately not a comedy in viewing. It is a tragedy and a drama and worth watching. No matter how good it is it’s not going to be remembered in a kind light when The Wife wants a comedy and she’s mad and crying. That doesn’t bode well for the film ever being rewatched in this household.
We settled on Apollo 13 and Tombstonefor our tribute to him, two excellent films in which he plays positive if lightly comedic supporting characters, which was actually what Bill Paxton was the best at.
This shouldn’t be seen as a slam or a put-down. The leading actor or actress in a film or play is only as good as their supporting actors allow them to be, and he was a consummate artist at playing the comedic foil or the well-intentioned loudmouth. My favorite film features him in a role he was essentially made for as an actor, the role of PFC. William L. Hudson in Aliens. It was just one more in a series of great supporting roles that enabled the top billed names to shine through his artistry off-screen as well as on it, but the stars were right in that film.
My favorite director combined with my favorite actor and actress of the time, with hands down one of the best supporting casts ever assembled. Case in point. I stumbled across this interview in my teary-eyed path down memory lane, and marveled at how these two work the interview together.
My favorite actress and one of my favorite supporting men, just naturally continuing the leading lady, supporting actor relationship established in the film; him laying up subjects for her to embroider as a leading lady should. Just a gentleman and the support that he should be, happy to be part of the interview.
I’ll have to sit down and watch his directorial efforts Frailty and The Greatest Game Ever Playedjust to confirm for myself that they are as good as my friends have said they are, but he will always be Hudson to me. I hope he doesn’t mind if I remember him that way.
It’s shocking and sad that American film and television creators won’t be able to rely on Paxton’s rough-hewn decency, his game sense of humor, and his canny ability to steal a scene. Paxton was dependably watchable in projects that weren’t as good as he was, and great in roles that gave his characters the scope and depth to display their irreverent and essential humanity.
“I have never been a very religious person,” he told the Daily Times newspaper in 2009. “I am neither against religion nor for it.” He found inspiration in socialist writers who lambasted the ruling capitalist class whom he thought were responsible for poverty in the world. And he did not see why work to alleviate suffering should be restricted to Pakistan. In 2005 the Edhi Foundation donated $100,000 to the victims of Hurricane Katrina in the US.
“My religion is serving humanity and I believe that all the religions of the world have their basis in humanity,”
The Westboro Baptist Church was forced to cancel its plans to protest at Leonard Nimoy’s funeral at the weekend when no-one would tell them where it was.
The group often descends upon the funerals of celebrities and soldiers with neon signs filled with homophobic slurs, but couldn’t locate the late Star Trek actor’s after planners decided to make the memorial private.
I’ve said my piece about Leonard Nimoy’s passing, albeit it took me two years to write what I thought about it and never posted the article anywhere aside from this blog. It is like a lot of entries on this public blog. They are here if anyone is interested enough to go back through the archive and look for them. These articles aren’t for general consumption, they are my thoughts set down for my own reasons, thoughts that I don’t mind sharing with the curious if there are people who are curious. So this blog entry really isn’t about Leonard or my feelings for Leonard or Spock. This is about a penchant for grandstanding in self-destructive ways by a particular religious cult in the US.
I have broached this subject several times on bulletin board systems and email groups, but I’ve never said a word about Westboro Baptist church on this blog because I really don’t have much of an opinion about the beliefs of others unless they potentially impact me or the people I love. I don’t talk about things that don’t interest me on my blog, so I generally don’t talk about religion. Being an atheist and freethinker myself, I have almost no use for religion, but there are occasions when the discussion of religion can’t be helped. This is one of those times.
The Westboro Baptist Church members are essentially the same as most other christianist/dominionist cults in that they think we are in the end times and they want to bring about the second coming of Christ. They hope to do this by provoking attacks upon themselves, and they do this by inciting rage in people who really cannot be relied upon to be sensible in the face of provocation. Those people are the survivors of tragedy, the funeral parties for the recently deceased.
What has evolved over the years that these protestors show up at funerals is, the Westboro Baptists are penned into a protest area where they are out of sight and hopefully out of earshot of the grieving. This is stalemate between the grieving and the protesting is achieved by local police forces who are understandably just trying to keep the peace. I believe that this entire effort is counter-productive and in the end ineffectual. There is a simpler, albeit more violent, solution that will end this stalemate, permanently.
We should not be protecting the Westboro Baptists when they attempt to picket funerals. What should be done instead is that local law enforcement takes the time to explain to the leadership of this church that the grieving are statutorily exempt from criminal charges if they attack outsiders who attempt to disrupt funerals. Funeral attendees are demonstrably not of their right mind. The leadership should be informed that picketing funerals is an attempt to have oneself killed as a martyr. That attempting suicide in this fashion is an admission of insanity on the part of the Westboro Baptists; and that they consequently can be detained without trial for mental evaluation indefinitely, and possibly committed to a mental institution for the rest of their lives if they insist on persevering in this deranged behavior. Then we as a culture sit back and wait. If the Westboro Baptists picket, they get to go talk to headshrinkers for the rest of their lives, the few of them that survive. I’m good with that, and they do need help.
As a side note, I’ve had quite a few people object that we shouldn’t require funeral attendees to kill the Westboro Baptists in this fashion. I agree. We should be able to have the insane committed for their demonstrable insanity. Insanity like believing that if they die martyrs they’ll go to heaven. That Jesus hates homosexuals (he doesn’t, that passage is in the part of the Bible that came from the Torah, the Old Testament) There are a whole host of ideas which are insane on their face that the religious really should be cautioned about espousing belief in, in public. What they believe inside their own heads is their own business. Just don’t expect the rest of us to endorse these ideas when you speak them or act upon them, because there are broader concerns that should be of more importance than their personal insanity.
Facebook status update backdated and expanded upon for the blog. This is the first of the Let’s Talk About Religion Then articles which will be published eventually. Chronologically it will appear before Atheism is Not a Belief System but that can’t be helped now. I’ve written many things in other places over the years and this monologue about Westboro Baptists emerged about the same time as my original authorship of the atheism article on that now defunct BBS that I continually mention.
Leonard Nimoy’s death represents a figurative passing of an age in a way that so many other’s deaths cannot. When I heard of Robin Williams death at his own hands a few months back, I burst immediately into tears. It was such a shocking event, it was so hard to imagine a man who was so alive being able to take his own life like that. I was prepared for the news of Leonard’s passing because of his announcement of suffering from COPD.
To be honest about this subject (which is what I try to be on the blog) his star was tarnished for me when he agreed to appear in the Abramanation. Had he died before 2009 I would have mourned his loss as heavily as the Wife did. She adored the man and his works in ways that made me look like a passing fancier. I couldn’t possibly compete with her devotion to him and Star Trek fandom in general. I’ve never felt that strongly about much of anything aside from architecture and archeology. I was and am so conflicted about this subject that I started this entry to commemorate Leonard’s death a week after he died, and then didn’t finish it until two and a half years later (the date I’m typing this at now) I thought at the time let’s see what the effect of his death is before making a big deal about it, but in my heart I just couldn’t speak ill of the dead so soon after their passing. So I left the paragraph above sitting all that time, and refused to delete it when I scrolled past it for two years running.
I can’t help but wonder what Leonard Nimoy (whom I will hold blameless) saw in this film to recommend his tacit approval and his venerable image to it. Spock prime stands in sharp contrast to the new cast, carrying with him into history a mantle of respect this revisioined Star Trek will never achieve. Because unlike Star Trek and it’s 42 years of history, the Abramanation is just entertainment.
But I’m pretty sure what he saw was money. And why not? He’d never gotten the wealth or admiration he deserved from Hollywood or his peers. Never received the acknowledgement for creating a character so adored by people everywhere that even today, fifty years later, few actors can even come close to achieving. Every attempt at a portrayal of the emotionless Vulcans Gene Roddenberry originally envisioned looks silly compared to Leonard Nimoy’s Spock. Writers don’t even know how to write those kinds of characters, as exampled by every single series since Gene’s death. Stories in which Vulcan society is morphed into some kind of vindictive hellhole that looks a lot like humans trying to paint an alien world devoid of emotion, and failing at it spectacularly. I’ve read a lot of Star Trek novels over the years, few of them come close to imagining the kinds of Vulcan that I saw hinted at in Gene’s canon.
The problem is that the world went somewhere else between 1967 and today than where it went in the future that Gene painted back then. Emotionlessness has become synonymous with sociopathy, with dark plottings of revenge, as if T’Pring was actually representational of all of Vulcan. Never mind that revenge is an emotion, too. We are so bathed in emotion as human beings we don’t even know what it is to not have them; which is the genius of Nimoy’s portrayal.
On the positive side of future history departing from Gene’s vision, we didn’t destroy ourselves with eugenics wars in the 1990’s; on the negative side, we can’t seem to recognize the ghost of eugenics when it raises it’s ugly head and calls all Mexicans rapists. On the even more negative side, we still don’t have a moon colony much less warp technology and transporters, which were always trappings of story-telling and not actual predictions of future technology. But not having a Moon colony yet? That’s just blind human stupidity. There is absolutely no reason for that not happening aside from our inability to see our own impending doom.
Like a man happily puffing away on a cigarette for most of his life never realizing that he’s destroying his own life-support mechanism and bringing a too early end to his own life in the process, humanity doesn’t realize that all life on this little ball of mud can be snuffed out in an instant. Nature doesn’t care about our petty little problems. The pale blue dot can be wiped away in an instant by some minor space collision or other, and the universe would never notice. Not even an artifact of humanity left over aside from a couple of probes we’ve managed to send beyond the influence of our sun. Is that our future?
I owned that work on cassette. It was one of my first purchases, if not the first comedy album I ever owned. I listened to it so often I memorized it, before the tape fell apart and I had to stop playing it.
I loved Mork & Mindy. Watched his appearances on Carson. Went to see every film he was in, just because he was in it, and for no other reason.
I was outraged at Dead Poets Society, though. (spoilers!) I’ve watched it since, and I know now that I was wrong, that I shouldn’t have been so angry at the suicide portrayed in that film. But at the time I felt it was a betrayal, that it was an acknowledgement of the darkness in the world, that the film let the darkness win, by killing what I saw as the main character, the character I identified with at the time. Worse, I associated Robin with the film, because I had gone to see it specifically because he was in it.
All of us fight our own inner demons. I’ve fought with depression for many years, longer than I can count. Menieres has only made it harder to cope with, but the darkness has been there for as long as I can remember. It’s been with me so long that I don’t even remember when I made the pact with myself that I wouldn’t contemplate suicide.
It’s a sad observation of human existence that suicides increase when someone else commits suicide; this is especially true of prominent figures. Watching MSNBC’s coverage, I was struck by this when they flashed the numbers for suicide prevention on the screen. I feel it is a shame that Robin let depression win; and as someone who fights depression, and who knows there are others out there engaged in a daily battle with it, I have to see it as letting depression win. This is not a judgement on Robin, or an observation of failure on his part.
Depression is not cancer; or maybe it is. Cancer of the mental processes, perhaps. In any case, when the physical body fails (and it will, for all of us) then it really is over. But when the mind gets trapped in that inward spiral, no one can break you out of it unless you want them to, unless you want to keep living. That is a choice you make.
I will not leave a body for relatives to find, to ask themselves “what did I do wrong” when it isn’t about them. It’s about me. There will be no notes. No questions. Because (fate willing) I will not have to make that choice. I just hope I have time to write down all the things I think need to be related before that Mind That Bus moment happens.
Like Dead Poets Society. It’s not actually about the suicidal character; or rather, it not just about him. It’s about the mousy little guy who follows along for the whole film (my first conscious introduction to Ethan Hawke, another actor who’s films I try not to miss) never hazarding more than is required of him because he is too afraid to take that chance. It’s about all the other characters, sucking all the marrow because they had a teacher who encouraged them to live life to its fullest. Because we’re only here for a brief moment, and then we’re gone.
I’ve meant to write a postscript to this one for awhile now. On the revelation that Robin suffered from early stages of Parkinson’s, and that he had that road ahead of him clearly mapped out by others (including his friend Micheal J. Fox whose charity he donated to) I can easily imagine that he chose his time to leave rather than wait for the disease to rob him of his independence. Preferred to be remembered this way, rather than risk being the subject of pity; no longer able to ask people to laugh at him, with him.
That he had to kill himself the way he did is more an indictment of current societal norms than it is of Robin Williams himself. When you are stricken with a disease for which there is no cure, one that will slowly destroy what you were if not actually kill you outright, you are faced with some pretty hard choices. One of them is the ability to say “Ok, I’ve had enough now. I’d like to just check out.” A choice which is denied to the sufferer in nearly every case; requiring those determined enough to seek solutions to the problem, to resort to cruder tactics than they would have preferred had they actually had a choice.
I am convinced that Robin Williams is one of those people. Being denied the right to end his life legally at some point later, he chose that time and that place to act, right or wrong.
For me, it was the wrong choice. But then I’m not Robin Williams. Never wanted to be him. I just enjoyed his pointed wit, his ability to flit apparently effortlessly through characters; his willingness to laugh, and to encourage us to laugh, at his all too human foibles. In the end, it was those foibles, those failings, that killed him.
We sat down and rewatched Dead Poets Society as a family last week. Just wanted to see if his chosen ending for his life alters the way the film feels. In reflection, I think this film actually captures the real Robin; both the flashy in-your-face moments of characterization, and the quiet man who contemplates the meaning of life, tries to communicate the drive to find meaning to younger minds. In any case it holds up well, and I think I’ll have to dig up some of his other early works, dust off the Laser Disk player if I have to. Re-experience his work again, while the pain is fresh. Just to see if I can still laugh with him. I think I need a good laugh.
“O Me! O life!…
of the questions of these recurring;
Of the endless trains of the faithless
of cities fill’d with the foolish;
Of myself forever reproaching myself,
(for who more foolish than I,
and who more faithless?)
Of eyes that vainly crave the light
of the objects mean
of the struggle ever renew’d;
Of the poor results of all
of the plodding and sordid crowds I see around me;
Of the empty and useless years of the rest
with the rest me intertwined;
The question, O me! so sad, recurring
What good amid these, O me, O life?
That you are here
that life exists, and identity;
That the powerful play goes on, and you will contribute a verse.”
I ran across this article submitted by Susan Schneider Williams (Robin Williams’s widow) to the journal Neurology. He apparently suffered from Lewy Body disease, undiagnosed until after his death. She discusses her experience with him in the final days of his life in the article and in this audio clip from the journal.
Although not alone, his case was extreme. Not until the coroner’s report, 3 months after his death, would I learn that it was diffuse LBD that took him. All 4 of the doctors I met with afterwards and who had reviewed his records indicated his was one of the worst pathologies they had seen. He had about 40% loss of dopamine neurons and almost no neurons were free of Lewy bodies throughout the entire brain and brainstem.
Robin is and will always be a larger-than-life spirit who was inside the body of a normal man with a human brain. He just happened to be that 1 in 6 who is affected by brain disease.
Not only did I lose my husband to LBD, I lost my best friend. Robin and I had in each other a safe harbor of unconditional love that we had both always longed for. For 7 years together, we got to tell each other our greatest hopes and fears without any judgment, just safety. As we said often to one another, we were each other’s anchor and mojo: that magical elixir of feeling grounded and inspired at the same time by each other’s presence.
One of my favorite bedrock things we would do together was review how our days went. Often, this was more than just at the end of the day. It did not matter if we were both working at home, traveling together, or if he was on the road. We would discuss our joys and triumphs, our fears and insecurities, and our concerns. Any obstacles life threw at us individually or as a couple were somehow surmountable because we had each other.
The causes of his suicide are far more complex than anyone could understand until long after he was gone. I’m just now (Oct. 2017) able to look back on him and his work with a calm dispassion. Finally over the emotional hurdle of his leaving us in this way.
Here is a link to the book on Audible (or Amazon) I fell asleep to this audiobook for about two weeks or so. Because of this I’ve been having a lot of flashbacks to the times I laughed and cried with him over the decades. It wasn’t the greatest biography I’ve ever read, but then I read a lot of biographies written by a lot of talented people. It is definitely not the worst one I’ve read, either. I could have done with less dramatization of Robin’s work by the performer. No one can do Robin except Robin. The publisher probably should have spliced in actual cuts from Robin’s audio recordings for those segments. It would have cost them licensing fees, so I know why they didn’t do that. Still, it would have made the book far more enjoyable to listen to. Reading it may change the experience since you’ll be hearing Robin’s voice in your head if you have an active imagination like mine.
I learned things that I didn’t know about the subject of Robin Williams, the man, which is really all I require of the biographies I read. There were plenty of personal insights from family and friends and from interviews with Robin himself. I recommend the book even if you are only half the fan of Robin Williams that I am. Another great intellect has left us. He would not believe this of himself, but he made the world bearable and a little more understandable for me while he was here. I will miss him.
In the early 1980’s I was working at a production company. We were editing a segment for director Howard Storm. I was amazed then and after seeing it again amazed at Robin’s natural ability to make people laugh. I never had the privilege of meeting him but like us all, will miss him terribly. The world has lost a little happiness.
I’ve been meaning to post on this subject for a few weeks now. Abortion politics has bleed over into end of life decisions, clouding the issue of what life is or isn’t as established by science and medical practice.
The family of a 13-year-old California girl who was declared brain-dead after suffering complications from sleep apnea surgery has secured for her the feeding and breathing tubes for which they had been fighting.
Christopher Dolan, the attorney for the girl’s family, said doctors inserted the gastric tube and tracheostomy tube Wednesday at the undisclosed facility where Jahi McMath was taken on 5 January.
The procedure was a success, Dolan said, and Jahi is getting the treatment that her family believes she should have received 28 days ago, when doctors at Children’s Hospital Oakland first declared her brain-dead.
Jahi underwent tonsil surgery 9 December, then began bleeding heavily before going into cardiac arrest and being declared brain dead on 12 December.
Her mother has refused to believe Jahi is dead and went to court to prevent her daughter from being taken off a ventilator.
In that episode of Point of Inquiry he points out that the case of Jahi McMath represents a potential violation of ethics for the doctors involved, since the child in question has been pronounced dead by clinicians in the state. Has been pronounced dead, but remains on life support until current day.
He also talks about the Marlise Machado Muñoz case (NPR story) in which Pro-Life Republicans in Texas have crafted laws that keep this woman’s body alive, costing the hospital thousands of dollars daily, on the off-chance that the fetus she died carrying isn’t also damaged (and it looks like it is) so the cost is quite literally wasted. Someone else needs the space that her corpse is kept in and will possibly die because of this farce.